During this essay, I will feign through the scene in Casablanca chronologically, whilst detailing the editing, sound and mise-en-scene, and analysing how they mask the viewers reading of the scene. Throughout the scene, the room is dimly lit, and there are a lot of shadows - both on the looking ats of wrestle and Ilsa, and on the walls target the characters. Many of the shadows, especially tail end convolute, are cast from strange looking objects. This connotes the multicultural arrangement of Rick. He is a human beingness who has travelled around a lot, and happenms to have rarely settled enough to call anywhere home. There are lots of structures interior the room, and many horizontal and ripe lines - especially deep down the shadows and on the blinds and slated doors. The horizontal lines feature mainly when Ilsa is in shot, possibly suggesting the get around emotions she has over what she is feeling. The scene begins with Rick coming to the top of a set of stairs within his cafe. It is silent, with the only sound being his diegetic footsteps. It is also dark and shadowy. Rick comes to a door, and the tv camera cuts to the other side of the door as we hear him open it and enclose the room.
He reaches to his left to cristal on the lamp, which only part brightens the dark space. The non-diegetic music, which will traverse throughout the scene, starts as he looks ahead and sees Ilsa. As Rick looks up, the camera sweeps crosswise the room in the direction of his eye line, and we see Isla stand by the window and turning towards Rick, with horizontal shadows of the blinds across her. The camera then makes a sharp cut to a tightlipped up of her face and shoulders, which makes the... If you want to get a ample essay, order it on our website:
Ordercustompaper.comIf you want to get a full essay, visit our page: write my paper
No comments:
Post a Comment