Transnational Issue During Black Feminist Literary Tradition

The American black feminine writer who does not appreciate that much(prenominal) hideous viciousness against women is a transnational issue, and not merely limited to the " trinity World" cultures where it is sanctioned by patriarchal societies and governments, cannot claim herself a true feminist. Clearly, Walker's work, focusing on the cruelty and injustice of this practice, is a clear literary argument that the brutalization of women through such a practice is indeed a call to weapons system for all women everywhere.

Walker's message "is that the breaches and violations must be mended for health and continuity, for 'survival whole'" (Bloom 28). In other words, true justice and healing for women cannot occur wholly in the United States or in Western European nations, except must include transnationally. From Walker's perspective, the literary artist's duty is to spread fretting for justice to the global level. It is Walker's "belief that her world, her reality, is filled w

One might be scare at genital mutilation but also might interrogate if it is a widespread enough problem to merit Walker's concern in Possessing the Secret of experience. Does it qualify as a hooked of transnational concern?

Walker leaves no doubt most its significance: "It is estimated that from ninety to one hundred million women and girls financial backing today in African, Far east and Middle Eastern countries have suffered some form of genital mutilation" (Walker 283). The personal stories in the book are meant to bring that massive cruelty agglomerate to the personal level, not merely for the purpose of sympathy but for action: "RESISTANCE IS THE SECRET OF JOY!" (Walker 281).

Clearly, Possessing the Secret of Joy is a call to resistance as joy, and the novel expresses that call in the form of the fictional stories about overcoming not save the oppression of men and male-dominated societies everywhere, but also the weakness which has been taught to women by men and which leads women to succumb to brutalization.

Bloom, Harold, ed. Alice Walker: Modern Critical Views. unexampled York: Chelsea, 1989.

th connections . . . which she as an artist can illuminat
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