We see in the novel that N. Conti appears to have the ability to read Sara's mind, even though the whole of their chat consists of email exchanges, journal entries, and letters. In this manner, the novel is also a romance in that romanticism viewed the "individual imagination as a critical authority" that "stressed strong emotion," (Romanticism, p. 1). We sure enough see this strong emotion in the way the ghost-like N. Conti so powerfully bangs his wife that he is determined to reunite with her in the afterlife. As N. Conti explains, "I had thought that my distinguish for Yasoda was as discharge as it could be, but it was not so it grew daily?And as the collectio
n grew, so did our love and with it blossomed my awareness of the oneness of all things," (Bantock, p. 100). We see romanticism in this strong emotion and the importance of art as a connecting force between individuals that stems from all nature.
Bantock, Nick.
The Venetian's wife: A peculiarly Sensual Tale of a Renaissance Explorer, a Computer, and a Metamorphosis. Chronicle Books, 1996.
At one point in the novel, Sara tells N. Conti, "Your love for Yasoda seems so powerful," (Bantock, p. 162). This makes Sara take stock of her own life, which she feels is empty and isolate in comparison. She wishes to become full of passion in a similar manner for someone she loves. As such, we see that The Venetian's Wife is most definitely a romance, one that encompasses many of the elements that restrict the movement and literary genre known as romanticism with its focus on art, nature, strong emotions and the culture of the artistic genius. In such works, both artists and individuals in love are viewed as heroic, as we see Sara view N. Conti's love for Yasoda and as we see them both view mythic and legendary artwo
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