Zora Hurston’s Their Eyes Were Watching God as a Creation Story Essay

Zora Hurstons Their Eyes Were Watching beau ideal as a Creation StoryZora Hurstons Their Eyes Were Watching God is, among other things, a creation story. For creation stories are not only myths ab emerge the historical origins of the universe and humankind further metaphors for individual maturation. mortal perception is, to a large extent, what constitutes the humankind. Hence, the individual is the source and embodiment of the founding Janie is, the narrator tells us, the world and the heavens boiled down to a carry (72). And Janies awakening, or maturation, represents not only a personal trans conformityation, but the creation of a universe. As a child seeking meaning, Janie does not look forward to merely growing up but waits for the world to be made (11). Obviously the narrator does not mean the secular world, but that particular world which comes into being with the mature individual. And as a creation story, Their Eyes, like the creation stories which precede it, deals with the reconciliation of estimation to the conditions of feelingto the inherent violence of living. Now, one of the main problems of mythology is reconciling the mind to this brute(a) precondition of all life, which lives by the killing and eating of lives. You dont kid yourself by eating only vegetables, either, for they, too, are alive. So the core of life is this eating of itself Life lives on lives, and the reconciliation of the human mind and sensibilities to that fundamental fact is one of the functions of some of those very brutal rites in which the ritual consists chiefly of killingin imitation, as it were, of that first, primordial crime, out of which arose this temporal world, in which we all participate. The reconciliation of mind to the conditions of... ...n outside pine tree tree while Joy takes a turn, prancing about in the form of Tea Cake. Like Joy, tribulationand the violence which brings it abouthas a set up in the world and in Janies life. And in the nov els closing lines, Janie pulls in her horizon like a great fish-net. Pulls it from some the waist of the world and drapes it over her shoulder. So much of life in its meshes She called in her soul to come and see (184). Sorrow, of course, is included in Janies horizon, and the image of pulling in her horizon reverses the previous image of Sorrow flying out. Janie not only accepts the sorrow and violence of life, but welcomes it. And, in doing so, Janies horizon embraces the waist of the world, and her creation becomes the creation of a world. compose Hurston, Zora Neale. Their Eyes Were Watching God. Ed. Henry Louis Gates. New York Harper, 1990.