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Sunday, February 3, 2019
Do not go gentle into that Good Night and for Eleanor Boylan talking with God :: comparison compare contrast essays
Pain and Sorrow in Thomas Do not go gentle into that Good Night and sacristans for Eleanor Boylan public lecture with God The end our road that is life, is remainder and the second we fetch to live, we begin to die. A rendition of death and the loss of a loved adept is expressed in two different lights in Dylan Thomas Do not go gentle into that Good Night and Anne Sextons for Eleanor Boylan talking with God. Both express the fear and vulnerability of losing soul you thought should live forever Thomas message is an imperative unitary a dark and tangible energy whereas Sextons strengthen is more passive and quiet and more driven by distress than anger. But as there is an underlying sense of sorrow in Thomas villanelle, there is also a sense of quiet anger. In For Eleanor Boylan Talking With God, Sexton expresses the pain of losing a loved one. at that place is a surreal quality to the poem, Sexton seems to write as she thinks with a thought inciting a memory she communicates her feelings in a very typographical error concrete way but the poem is still very cop because there is so little linking these images, adding on to the feeling that you are flavor into Sextons very mind and heart. She talks about Eleanor, a friend who is more beautiful than her mother this intimate compliment stern be interpreted as more dear than even her mother. An persuasion of Eleanor that Sexton respects is her closeness with God, there is a child-like trust envisioned when the author writes about Eleanor in the kitchen motioning to God. Possibly because Eleanor is wearing a lemon-colored sundress, the reader imagines her with a smile and she feels the acceptance at her own death that Sexton cannot find. Eleanor has more faith than the author in God and who has retained this faith even when she is dying. Sexton wrote that God had a face when she was sestet and a half meaning he was a tangible figure. The six-year-old Sexton had a familiarity with God, she knew what he looked like he was her friend, as is the feeling in most children about God. But this image of god has become a huge jellyfish that covers the sky. There is no relief in a slimy jellyfish and Sexton does not find any comfort in God.
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