Virginia Woolf?s writing symbolizes a break away from the apostolic writings and styluss of the Victorian era, to a recent radical spanking approach to literature. Woolf believed that language was a weapon of pression, and that ?each word, syllable, punctuation mark mark must justify itself? in all(prenominal) article of faith of every line. The stream of reason name she adopts in ?To the pharos? allows Woolf to explore the nature of individual intelligence in descent to collective understanding. In effect, by big(a) her cases the chance to express themselves freely, paying extreme attention to pointedness of everything they feel, observe and do, Woolf finds an resembling for support. Her belief that prose has the ?power to say new things, hand new shapes, express new passions? leads her to experiment with the ?plasticity of language, the litheness of the sentence, the poetic possibilities of prose? through with(predicate)out ?The windowpane?. In essence, Virgi nia Woolf creates form through her experimentation with language, and through her close attention to detail, finds an equivalent to life in her novel ?To the Lighthouse?. Woolf employs a stream of thought style to her writing to find an equivalent for life in ?The Window?. Despite the structural divisions, Woolf?s narrative congresswoman mud fluent throughout.
It is seemingly a third somebody narration, tho the voice moves freely from the consciousness of one character to that of another. In essence, Virginia Woolf attempts to take the technique of stream of consciousness to a more than ambitious dimension. Wo olf?s development of the stream of conscious! ness technique in this novel is regarded by most critics as a tour de force. It was crucial to her purpose that the thought physical process of some(prenominal) characters should be shown. The individual character and their opinions, what they feel, see and say is intrinsic in Woolf?s attempts to create an equivalent... If you want to get a full essay, order it on our website: OrderCustomPaper.com
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