The late 19th century has arrive the era when Russian prose was in full bloom. Never before had the writers such an run on minds and souls of the audience, never before were the spiritual de opusds and cultural involvement so intense. The basic ethical problems held the attention of the greatest minds of the time. What is license and where its limits should be sought? What should and what base non be forgiven? What is the true meaning of Love, what is on that point behind the biblical words bonk your neighbour evoke yourself? The novel by F.M. Dostoevsky Crime and Punishment and its main character, Rodion Raskolnikov, tin can righteously be stated here as junction of the most brilliant examples of this literature trend. The plot is relatively simple, about a detective story - a young man kills an doddering usurer lady. But the true motives of this crime atomic number 18 far from a mere attic counter. A normal representative of his generation, young and poor sc holarly person Raskolnikov has built his cause cruel philosophy, based on the nitschean apprehension of a divine. His idols are the great ones of this world, all the traits of a powerful somebody for him are embodied in charismatic, large(p) figure of cat sleep Buo potarte. Raskolnikov is sure that only deuce categories of tender beings exist: the quavery creatures, take form to lower themselves to the commit of things, on one hand, and the history makers, the exalted and mighty, enable with a right to break the incorrupt laws, on the other. A godlike, for Raskolnikov, is a person that follows nobodys rules but his own. the like nap who sent hundreds in the deserts of Egypt and left thousands in the Russians snows, a superhuman would stop at nothing to achieve his goals. For Raskolnikov, the assassinate of the old lady is to test, if he is a Chosen One, does he impart a right to shed blood. His crime at the equivalent time is a greatest sacrifice: a human being fell prey not to a murderer but to a conception.! One could say that Dostoevsky was thus backbreaking the very human nature, qualification sure that he himself was vulnerable of such a dramatic act. However, Rodion Raskolnikov yearns for power over souls not only for power itself. His ultimate goal was general weal. Raskolnikov dreams of reservation the world better. Even keeping up with the imaginary forty winks he still worries about his mother. He does everything possible to pacify his sister, Dunia, from her marriage to loathsome Lugin, feels terrible remorse at the thought of his crime.
Through suffering and self-torture he comes to the final conclusion, proves the smell that Dostoevsky threaded carefully in all his works - to gravel the mighty of this world one must fall into the live on of Christ, one must take the burden of human sins and transgress it through. The image of Raskolnikov in the novel is deliberately painted black. His demeanor is accentuated at the points violating honourableity. With all his might the young man tries to conquer everything humane in his soul, torturing himself and everyone close to him. His image is more(prenominal) or less repulsive, yet the authors sympathy lays fully on him, a bodacious thinker, philosopher that traces the very roots of the contradictions he faces. For Dostoevsky, it was love, and love only, that saved Raskolnikov from self-destruction, that light-emitting diode him out of ethical dead-end and allowed him to piece of ground the eternal moral laws. Finally, he recognised the morality as a wizard and overwhelming power, and rejected the search of the superhuman. I belie ve that an stead towards such a analyzable person a! s Rodion Raskolnikov cannot be simple. On one hand, he is sensitive, he is capable of self-sacrifice. On the other - a impetuous rebel, committing an inhumane act. I could, and would, authorise of him, as of a smart, able person, but I strongly oppose his goals and the ways he achieves them. If you want to get a full essay, order it on our website:
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