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Thursday, April 11, 2013

Analysis of a Gothic Short Story by Poe In one

Analysis of a Gothic Short Story by Poe In one of Poes most famous short stories, The gun barrel of Amontillado, he details the narrator, Montressors, pursuit of revenge on Fortunato, a pompous wine-connoisseur. Poe uses many literary devices in his analysis of Montressors actions to illustrate the gothic-realism of Fortunatos death. Pride and revenge anchor this other tale filled of irony and vivid, descriptive imagery. This particular legend epitomizes Poes work during the late nineteenth century, which has been put into both distinct categories as a part of his collection Tales of the monstrous and Arabesque. The Cask of Amontillado falls into the category of the grotesque which deals more realistically with human interaction because of the bizarre atmosphere and unpredictable maculation developments.

Emotion and manipulation course by means of nearly every(prenominal) meter of the story. Montressors mode of revenge is very abstruse and interesting; he avenges himself by fooling Fortunato into literally move into his own grave. Montressor easily coerces Fortunato, the avid lover of wine, through some(prenominal)(prenominal) suites of rooms to the archway that led into the vaults, containing the cask of Amontillado (Pg. 9). He continually asks whether Fortunato would like to leave thus creating a false grit of security, removing him of business. This ultimately confuses Fortunato and leads into the irony of his death. Poe evokes emotions such as fear and perplexity from the reader dually, while leading Fortunato into the vault with such awake manipulation by Montressor. This juxtaposition of such extreme and glacial feelings, fear and amazement, frustrates the reader as it foreshadows Fortunatos fate. Another shell of irony comes in the statement made by Montressor that he and Fortunato ought to return from the damp ground of the catacombs because Fortunatos health is unique (pg. 9).

Poe illustrates the dreary and enclosed nature of the descent into the vault through Montressors poignant narrative; We had passed through walls of piled bones, with casks and puncheons intermingling into the inmost withdrawes of the catacombs (pg. 10). Poe fulfills the several requirements of gothic writing by establishing a gloomy, dark, and threatening spectre as well as strange and melodramatic events in the plot. These detailed descriptions; ...desc closing curtain again, arrived at a deep crypt, in which the dirt of the air ca utilize our flambeaux rather to glow than flame, execute the techniques used to achieve a gothic tone (pg. 11).

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Upon their arrival into the crypt, where Montressor leads his victim towards a small recess in the wall, he methodically begins the process of encasing Fortunato alive. At this moment, Fortunato realizes his fate; fear and panic primed(p) in with a low moaning cry from the depth of the recess . . . not the cry of a drunken man (pg. 13). Montressors narrative as he commits Fortunato to his death continues with a everlasting eerie perseverance. The narrative ends with the Latin phrase: In footfall requiescat! (Pg. 14), meaning May he rest in peace. This appears to be Montressors morbid and twisted means of closure ending his involvement with Fortunato.

Poes ability to create such a disturbingly intense story, instilling a sense of fear and terror in the reader, with his tight grip of the language and controlled sentence structure, in a limited eight pages proves his talent as a one of the great modern authors of gothic literature. His elaborate use of irony and skill of incorporating images that engage all senses, upgrade develop the theme of revenge and retribution. The conflict of intellectual difference of opinion between Montressor and Fortunato combined with the physical events that take place in The Cask of Amontillado embody the principles of gothic literature.

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