Father Says, My Son Why?

thrust rages at Willy for tolerant the wo sm only-arm "Mama's stockings." Willy responds by telling pull that he gave him an order---to direct Willy's suits. Biff responds: "Don't touch me, you---liar!" Willy tells him to apologize and Biff says "You fake! You false little fake! You fake!"

Willy and Biff find at being get and son for much of the play, alone when Biff can take the pretense no longer the birth is exposed for the sham which it is. When Biff sees that he is about to lose Willy, he does run after his, c totallying "Pop!" , provided it is reaching out which should non be seen as a sign of a breakthrough in the relationship in any significant way.

If there is any doubt of this, it is distant in the Requiem, when Biff makes clear that, at best, he pities Willy: "He had the wrong moons. All, all wrong. . . . He ne'er knew who he was. . . The man didn't know who he was."

Biff might believe he knows who he is more than his father knows who he is, but all Biff really knows is that he is not his father. When he at last accepts that his father is a fake and that he himself can ne'er live up to his father's expectations, Biff resorts to complete deprecation of himself and his dread(a) father

Why am I trying to become what I don't want to be? . . . Pop! I'm a dime a dozen, and so are you! . . . I am not a leader of men, Willy, and neither are you. You were n perpetually anything but a hard-working drummer who landed in the ash can like all the rest of them! . . . I'm not bringing

Biff has just begun to understand life, as Willy never did. Willy heedful happiness in terms of a material victory which would always be just out of reach. He would never have been happy living the life he led, for he was not doing what he wanted to do, bit instead was doing what his father wanted him to do. Biff has thrown off such a yoke, and has begun to see that life is worth living not by being a big man, a successful capitalist, but by enjoying the little things in life. Biff recognizes this and tries to tell his utterly lost father: "I stopped in the mall of that building and I saw---the sky. I saw the things that I chicane in this world. The work and the food and the time to sit and smoke.

" Biff even recognizes in retrospect that his father was capable of such a simple appreciation of life, even if he was not aware of that capacity. Biff says of his father:

There were a plenty of nice days. When he'd come home from a trip; or on Sundays, reservation the stoop; finishing the cellar; putt on the new porch; when he built the extra bum; and put up the garage. You know something, Charley, there's more of him in that apparent movement stoop than in all the sales he ever made.

Miller, Arthur. Death of a Salesman: Text and Criticism. New York: Penguin, 1977.

John Gassner recognizes the erudition of the relationship between Biff and Willy and sees that it goes beyond the simply cordial or psychological analysis Beyer tries to provide. Other critics have called the play an anti-capitalist tract, but Gassner says this economic or political aspect is

It is not simply that Biff hates his father because he followed an empty dream to disaster. He also hates Willy because of the abuse that he has heaped on those he supposedly loved, such as Linda, Willy's wife. Biff says to Linda: "Stop making excuses for him! He always, always wiped the floor with you. Never had an ounce of consider for you."

As William Hawkins writes in his essay "Death of a Salesman: coercive Trag
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